A Broadway adaptation of the movie ''Never On Sunday,'' it ran for 320 performances.
Who is this girl who sits so sad
A tear a-shining in her eyes
Can this be laughing Illya
Laughing Illya who wants to cry
Illya Darling, Darling Illya
Like a song we sing your name
You are music, you are laughter
You make life a lovely day
Laugh with us and sing with us
And dance with us, we need you so
Illya Darling, Darling Illya
Be the joy we used to know
Now, Illya's name it means "The Sun"
To cry was never Illya's style
The sun we know was made to shine
And Illya was made to smile
Oh, Illya Darling, Darling Illya
Like a song we sing your name
You are music, you are laughter
You make life a lovely day
Laugh with us and sing with us
And dance with us, we need you so
Illya Darling, Darling Illya
Be the joy we used to know
Laugh with us and sing with us
And dance with us, we need you so
Illya Darling, Darling Illya
You are all the joy we know
Illya!
In 1968 Darion was nominated for a Tony Award for best lyricist for "Ilya, Darling:" Manos Hatzidakis as the Composer.
Before there was Cats, there was Shinbone Alley. Never saw Shinbone in any version and I never understood the popularity of Cats.
Shinbone Alley (sometimes performed as archy & mehitabel) is a musical with a book by Joe Darion and Mel Brooks, lyrics by Darion, and music by George Kleinsinger. Based on archy and mehitabel, a series of New York Tribune columns by Don Marquis, it focuses on poetic cockroach Archy, alley cat Mehitabel, and her relationships with theatrical cat Tyrone T. Tattersal and tomcat Big Bill, under the watchful eye of The Newspaperman, the voice-over narrator and only human being in the show.
The project began in 1954 as a Columbia Records concept album with Marquis' original title, featuring Eddie Bracken, Carol Channing, and David Wayne. That same year a concert version was presented by the Little Orchestra Society at The Town Hall in New York City. With an expanded book, the addition of several lengthy ballet sequences, and a cast of animal characters, the rechristened Shinbone Alley preceded Cats by a couple of decades and was a precursor of the far more successful Andrew Lloyd Webber hit. It was one of the first Broadway shows to feature a fully integrated cast.
With neither an out-of-town tryout nor a preview period, the Broadway production opened on April 13, 1957 at The Broadway Theatre, and closed on May 25, 1957 after 49 performances. Following "creative differences" with the writers and producers, original director Norman Lloyd requested that his name be removed from the credits. The production was supervised by Sawyer Falk and choreographed by Joe and Rod Alexander, with production design by Eldon Elder, costumes by Motley, and lighting by Tharon Musser. The cast featured Bracken, reprising his role as archy, Eartha Kitt as mehitabel, Erik Rhodes as Tyrone, and George S. Irving as Big Bill. Supporting players included Cathryn Damon, Jacques d'Amboise, Ross Martin, Lillian Hayman, and Allegra Kent. Relative newcomer Chita Rivera was Kitt's standby.
The show's sole Tony Award nomination was for Best Costume Design. In lieu of a cast album recorded in a studio, a tape of a live performance was transferred to acetate and released on the Legend label. In 2005 the musical had its Australian premiere in Melbourne, under the name archy & mehitabel. Produced by Magnormos, it was directed by Aaron Joyner and starred Jane Badler in the role of Mehitabel, and Michael Lindner as Archy.[1][2] The "Musicals Tonight!" series presented a staged concert version in November 2006 in New York City.
"Strange things are happening" became a national catchphrase evolving from the run of The Red Buttons Show. It remained his signature theme. For half a century, he would hop on one foot, clap hands, and palm his ear whenever the music played, a childlike, trademark bit recalled by fans of his TV program. The lyrics were written by Joe Darion.
Ho Ho
Ho Ho
Hee Hee
Hee Hee
Hah Hah
Hah Hah
Strange Things Are Happening
Strange Things Are Happening
I once had a teacher who flunked me in history
She asked, "Who shot Lincoln?"
I answered, "Don't blame me."
Ho Ho
Ho Ho
Hee Hee
Hee Hee
Hah Hah
Hah Hah
Strange Things Are Happening
Strange Things Are Happening
I gave golden earrings to someone who turned sweet sixteen
Now, I'm so embarrassed her ears are turning green
Ho Ho
Ho Ho
Hee Hee
Hee Hee
Hah Hah
Hah Hah
Strange Things Are Happening
Strange Things
I went to the movies and witnessed the strangest scene.
One kid brought a tv and tried to dial the screen
Ho Ho
Ho Ho
Hey Hey
Hey Hey
Hee Hee
Hee Hee
Strange Things
Strange Things
"Since girls wear those blue jeans, my troubles just never cease
What looks like my nephew, turns out to be my niece."
Ho Ho
Ho Ho
Hee Hee
Hee Hee
Hah Hah
Hah Hah
Strange Things Are Happening
Strange Things
They warned me when you kissed me your love would ricochet
Your lips would find another and your heart would go astray
I thought that I could hold you with all my many charms
But then one day you ricocheted to someone else's arms
[Chorus:]
And baby
I don't want a ricochet romance, I don't want a ricochet love
If you're careless with your kisses, find another turtle dove
I can't live on ricochet romance, no, no not me
If you're gonna ricochet, baby, I'm gonna set you free
I knew the day I met you, you had a roving eye
I thought that I could hold you, what a fool I was to try
You promised you'd be faithful and you would never stray
Then like a rifle bullet, you began to ricochet
Amazing that someone who went to CCNY in the thirties during a time of political upheaval
and who was suspected of being a fellow traveler could write such lame stuff.
Amazing too that is was so popular. Yet, that was the landscape of much of the 1950's
for more on the Joe Darion KV connection
Music by Larry Coleman
We were waltzin' together to a dreamy melody
When they called out "change partners"
And you waltzed away from me
Now my arms feel so empty as I gaze around the floor
And I'll keep on changing partners
Till I hold you once more
Though we danced for one moment and too soon we had to part
In that wonderful moment something happened to my heart
So I'll keep changing partners till you're in my arms and then
Oh, my darlin' I will never change partners again
Though we danced for one moment and too soon we had to part
In that wonderful moment something happened to my heart
So I'll keep changing partners till you're in my arms and then
Oh, my darlin' I will never change partners again
To dream ... the impossible dream ...
To fight ... the unbeatable foe ...
To bear ... with unbearable sorrow ...
To run ... where the brave dare not go ...
To right ... the unrightable wrong ...
To love ... pure and chaste from afar ...
To try ... when your arms are too weary ...
To reach ... the unreachable star ...
This is my quest, to follow that star ...
No matter how hopeless, no matter how far ...
To fight for the right, without question or pause ...
To be willing to march into Hell, for a Heavenly cause ...
And I know if I'll only be true, to this glorious quest,
That my heart will lie will lie peaceful and calm,
when I'm laid to my rest ...
And the world will be better for this:
That one man, scorned and covered with scars,
Still strove, with his last ounce of courage,
To reach ... the unreachable star .
On 9/11/2011 Congressman Dennis Kucinich honored Joe Darion
Mr. Speaker, I rise today to honor the memory of a man who inspired the American people with beautiful song, Mr. Joe Darion, lyricist of ``Man of La Mancha.''
Born in New York City in 1911, Mr. Darion worked throughout his life in every genre of music from popular songs to opera. Mr. Darion attended City College before serving his nation in World War II. In the early 1950's he had three Top-10 hits; the Patti Page ballad ``Changing Partners'', the Teresa Brewer novelty ``Ricochet'', and Red Buttons' comedy hit ``The Ho Ho Song''.
Mr. Joe Darion is most known for his beautiful lyrics of ``The Impossible Dream,'' which quickly became one of the most beloved pop anthems of our time. ``Man of La Mancha'' opened in New York in 1956 and ran for an incredible 2,328 performances. In recognition of his heart-warming lyrics, Mr. Darion was rewarded a Tony Award for best score.
``The Impossible Dream'' has affected thousands of people, young and old. His lyrics have inspired and touched countless Americans. His words dive deep into the human soul and character. His words,
Mr. Speaker, please join me in honoring the memory of a man who touched millions of Americans with his inspiring lyrics and, enabled countless people everywhere to ``Dream the Impossible Dream'', Mr. Joe Darion.
He and his wife Helen lived at 10 Monroe Street, apt GD6, from approximately 1940-1949.
Born in New York City in 1917 his real name was Joseph Schmul. Darion studied journalism at City College of New York and served in the Navy during World War II. After the war, he began writing lyrics. He had three Top 10 hits in the 1950s: "Changing Partners," the Patti Page ballad; "Ricochet," recorded by Teresa Brewer; and "The Ho Ho Song," a comedy number from Red Buttons. He also wrote children's songs such as "The Growing-Up Tree", "The Midnight Train", "The Lollipop Tree", "The Goonie Bird Song" and "Little Red Train to the Zoo".
Darion's first Broadway show was "Shinbone Alley," a jazz opera. He also wrote "Illya Darling," an adaptation of the movie "Never on Sunday." His biggest hit was his writing for Man of La Mancha. He wrote the lyrics to the "Impossible Dream!"Joining ASCAP in 1951, he wrote for radio, TV, films, theatre and concerts. His chief musical collaborators include George Kleinsinger, Ezra Laderman, Guy Wood, John Benson Brooks, Herman Krasnow, and Mitchell Leigh. He died in 2001.
Rich Rosenberg
Rich, from this sampling, seems to have come out innocent of any espionage charges.
Note, however, all the informants that are pressed into service.
Above, as seen in his graduation from CCNY in 1938.
Beginning in 1940 Stanley lived at 12 Monroe Street, apt HE5 and later moved to the 40 Monroe court. In 1943 his family moved to Cambridge, Mass. He knew Julius Rosenberg at CCNY and was suspected of being part of a group of engineers that Julius and Morton Sobell were attempting to recruit to gather classified information. In Rich's case it would be his expertise in radar.
From his nytimes obituary:
Stanley Rich, Entrepreneur, 76; Invented Submarine Sonar Device
By WOLFGANG SAXON
Published: November 23, 1993
Stanley Robert Rich, an entrepreneur and inventor who devised a scanning sonar for submarines in World War II, died on Sunday at Youville Hospital in Cambridge, Mass. He was 76 and lived in Grantham, N.H., and Wellesley Hills, Mass.
The cause was cancer, his family said.
Mr. Rich retired last month as chairman and technical director of Plasmachines Inc. in Natick, Mass., the last of several businesses he started over the years. Plasmachines is an environmental technology company that makes and sells air-pollution control equipment for combustion engines and industrial use.
Mr. Rich was granted more than 60 United States patents and about 500 foreign ones since he began his career with the Navy Department of Civil Service and the Harvard University Underwater Sound Laboratory. It was at Harvard that he developed a scanning sonar for which the Navy got the patent and Mr. Rich was awarded two official commendations.
A native of Manhattan, he graduated from the City College School of Technology, where he was president of the student body in 1938. After World War II, he worked for the Raytheon Corporation, heading several research departments and developing an ultrasonic machine tool and a motor-speed control system.
Over four decades, beginning in 1950, Mr. Rich formed seven corporations to produce and market his inventions, which include high-intensity ultrasonic cleaning devices for industry, acoustic pollution controls and coal-cleaning devices.
The companies he headed as president and as technical director include Rich-Roth Laboratories, Ultra-Viscoson Corporation and Teknika Inc. He published more than 50 technical papers, frequently lectured at business meetings and taught entrepreneurship as a Gordon Fellow at Babson College in Babson Park, Mass.
He was co-founder of the M.I.T. Enterprise Forum and co-author with David Gumpert of "Business Plans That Win: Lessons From the MIT Enterprise Forum" (HarperCollins, 1987). The book is a business school text.
Mr. Rich is survived by his wife, Shirley Cohen Rich; three daughters, the flutist Eugenia Zuckerman of Manhattan, Laurie Rich Alban of Rhinebeck, N.Y., and Dr. Julie Ingelfingfer of Cambridge, Mass., and seven grandchildren.
Goff 6th Floor
During Julius Rosenberg's incarceration his cellmate Jerome Tartakow was utilized to gather information from Julius. Tartakow passed on a story that prior to her arrest Ethel took $7000 and a Leica camera from the Rosenberg KV apartment and placed it for safe keeping with a sympathizing neighbor. Subsequently there was systematic hunt for that unnamed neighbor and evidence the FBI thought would be further incriminating. Nothing was ever found and some believe Tartakow's story may have been invented. Sophie Goff, Irving's ex-wife was suspected. She was then living on the 6th floor. The above is a record of all of the investigation of people who lived on the 6th floor in 1952.
Irving Goff (1900 - 17 May 1989) was a member of the Communist Party USA and the Abraham Lincoln Battalion, a unit that volunteered to fight during the Spanish Civil War for the Popular Front. During World War II, he was a member of the American Office of Strategic Services, and was instrumental in setting up guerrilla units working behind enemy lines in North Africa and Italy.[1] His exploits as a guerrilla in Spain are considered to be the inspiration for Ernest Hemingway's novel For Whom the Bell Tolls.
Irving Goff's parents, of Jewish origin, emigrated from Odessa, Russia to New York in 1900. He grew up in the streets of Brooklyn and Long Island. He was a premier body builder (famous as the "Adonis" of Coney Island's Muscle Beach) and worked as an adagio dancer and professional acrobat before becoming an organiser for the Communist party in New York.
Goff arrived in Spain on 4 April 1937, where he joined the International Brigades, working as a driver. In December 1937, he volunteered for dangerous guerrilla operations which frequently required him to work behind enemy lines for up to weeks at a time. ........
One of their objectives was the destruction of the main supply bridge spanning the Albarracín River. The operation may have been the inspiration for Ernest Hemingway's novel For Whom the Bell Tolls. When the book was published in 1940, Goff was critical of the novelist's ignorance of guerrilla operations and the way in which war was treated from "a romantic adventuristic point of view rather than [as] the grim, practical war that it was". In a later interview he said:
"I never saw Ingrid Bergman in all the time I was in the war. If I did, I might still be there [Laughs.] The way Gary Cooper blew that bridge - like blowing a seam in a coal mine. I've blown bridges. You put a detonator in the thing and then you'd better be twenty miles away. You went after bridges and railroads. Usually it'd last five or six days behind the lines."
.......
In September 1938, with a Republican defeat in sight, the Abraham Lincoln Battalion was withdrawn from the front line and shortly afterwards disbanded. Irving Goff returned to the United States.
Once home, he resumed his activities in the Communist Party, and in 1940 was sent on a mission to investigate pro-fascist "synarchista" organizations in Texas, California and Mexico. Posing as a newspaper reporter, Goff filed regular reports about these groups with party leaders, but failed in his effort to link them with the right-wing group America First.
Goff continued to campaign for the Spanish cause, and in February 1941, he led 28 Lincoln veterans in a Peace Motorcade to Capitol Hill to lobby against Francoist Spain receiving Lend-Lease aid.
In 1941, Goff was approached by former Abraham Lincoln Battalion commander Milton Wolff to work for British intelligence through the Office of Strategic Services (OSS). On Goff's advice, Wolff invited other Lincoln veterans to participate in the group, including William Aalto, Milton Felsen, Mike Jiminez, Vince Lossowski and Alfred Tanz. After the attack on Pearl Harbor, the OSS leader General William Donovan turned the project into a wholly American operation. In 1942, Goff was transferred to North Africa, where he was put in charge of training Spanish recruits to operate behind German lines. Here, he was promoted by Donovan to second lieutenant.
After the Allied invasion of Italy in 1943, the OSS Lincolns moved to Naples, where Goff's previous experience in Spain proved a boon for American intelligence. He was appointed by the OSS as liaison officer to the Italian Communist Party, and the Americans promptly started training programmes, using Italian volunteers to wage guerrilla warfare behind the German lines in northern Italy. Goff's infiltration programs parachuted thirty teams of radio operators and meteorologists into enemy-held areas to provide daily weather reports for the Allied air forces. Working with the Italian Communists, Goff built the most effective intelligence operation in northern Italy. With multiple teams behind German lines, he could count on fourteen separate radio reports every day. "We had guerrillas operating on every highway, every railroad, every German convoy. We had identifications, the material in every car on every highway reported through the network of radios".......
Gerald Cook was born in St. Louis, Missouri on April 30, 1916 to Catherine and James Cook. He was self educated and was never graduated from high school. As a young man, he moved to New York City and was active in organizing unions, specifically the Department Store Workers union. While on a picket line, he met his first wife, Anne Freedman. They married before he left for Spain to fight in the Abraham Lincoln Brigade. When he returned from Spain, he shipped out to fight the fascists in WWII. He served both on the European front and in the Pacific front. After the war, his first child, Catherine Anne Cook, was born inh 1947. A few years later Gerald and Anne divorced and Gerald married Joan Riddell Barlow, a journalist. They remained married until Jerry did in 1980. They had two children, Joseph Fitzgerald Cook (b. 1952) and Jezebel Cook (b. 1959). He also raised a step-son, John Barlow (b. 1946). Jerry is survived by his two daughters, his step-son and four grandchildren, Alexandra Barlow, Thomas Barlow, James Barlow and Caleb Cook.
For most of his post soldier life, Jerry was a journalist, working on various publications. He also worked for local 1199, editing their newsletter. He also worked for the Daily World. He never stopped being an activist and fought all his life for peace and justice. He died firmly believing in his Marxist principles of dialectical materialism.
From Mike's memoir, "The Anti-Warrior." Mike and his wife shared a penthouse apartment in the G building with the families of fellow Lincoln Brigade vets Jerry Cook and Irving Goff. This occurred in 1941. Soon the men would be off to fight in World War II.
Yesterday, July 14, 2012, Saturday Night Fever was shown in Prospect Park. I would have loved to have seen it as well as spot Milt Felsin's name in the credits. Milt lived in Knickerbocker for a brief time in the early 1940's before joining the OSS. I believe he lived in a 10 Monroe Street penthouse apartment.
from the archives of the Abraham Lincoln Brigade
Born in New York City, Milt Felsen left the University of Iowa in his senior year to go to Spain in May of 1937. He served as a machine gunner in the Lincoln battalion and was wounded at Brunete. Upon release from the hospital, he spent the rest of the war as an ambulance driver.
In World War Two, Felsen joined the Office of Strategic Services with other Lincoln veterans. Wounded and taken prisoner in North Africa, he spent two years in prisoner of war camps in Italy and Germany. Felsen’s memoir of childhood and the war years, The Anti-Warrior, was published by the University of Iowa in 1989. It is one of the few autobiographies by Lincoln veterans. It is a great read. Milt accomplished many things in
peacetime. After the war, he worked for film-related labor unions in New York.
In 1960 he ran the East Coast office of the Directors Guild of America. He served on its board for 30 years. He was an associate producer of Saturday Night Fever, the John Travolta film that launched the disco era. His independent producing credits included The Bell Jar and The Directors, a television documentary series. Milt retired to Sarasota, Florida, where he kept in touch with film and theater. Over his busy career, Milt Felsen was staunchly loyal to the Lincolns.
He participated in reunions as well as trips to Spain, where his good humor was always appreciated. He will be sorely missed by those who had the good fortune of knowing him.
The unassuming and soft-spoken brigadista Milt Felsen passed away on April 8, 2005, in Florida. His wife, Lois Bennett, said of him, “Milt was a sweet guy and a tough guy. Life with him was so much fun.”
- Robert Coale
341 19 Communists
Before moving to Knickerbocker Village Michael Sidorovich lived at the above address. During the early 1950 FBI inquest on Soviet espionage there was a search for evidence implicating Michael and his wife Ann. The above is just a fraction of what was gathered. Pretty amazing that so many of the people that lived here were members of the American Labor Party. Yet in 1937 Fiorello LaGuardia garnered almost a half a million votes or 21.6% of his total from the party. In the 1930's there was no stigma associated to the party, but by 1950 it was considered too "red."About the American Labor Party:
In 1936 the American Labor Party (ALP) was formed by left-wing supporters of Franklin D. Roosevelt and the New Deal. This included Abraham Cahan, Sidney Hillman and David Dubinsky. The ALP put forward a left-wing, non-socialist, program. Its 1937 Declaration of Principles stipulated that there should be a "sufficient planned utilization of the natural economy so that coal, oil, timber, water, and other natural resources that belong to the American people... shall be protected from predatory interests." The following year, ALP member, Vito Marcantonio was elected to Congress where he represented East Harlem's 20th District.
They lived at 10 Monroe Street from October 1942 until May of 1943 in apartment GB12.
Michael attended Seward Park High and later Stuyvesant High School. After graduation he fought in Spain as a member of the Abraham Lincoln Brigade. Michael and Ann were a suspected Communist spies who were friends and, for a short time neighbors, of the Rosenbergs. They were also witnesses before the Grand Jury during the Rosenberg trial.
From an era when there were businesses that actually made something in New York and the Fourth Ward. David Diefenthaler probably walked to work from his Knickerbocker apartment.
In the 1940 census David was listed as a coffee roaster living with his wife Ruth at 36 Monroe Street. Shortly after he joined the Air Force.
More about B. Fischer and Co. and the Diefenthaler family:
Following the death of Benedickt Fischer in 1903 the firm passed under the control of William H. Fischer, son of Benedickt, and Mr. Diefenthaler. Mr. Diefenthaler is survived by a widow, two sons, Richard and David A. Diefenthaler, ...
SAN SALVADOR— The 1919-20 coffee crop in El Salvador is estimated at approximately 100000000 pounds. ... Mr. Diefenthaler is survived by a widow, two sons, Richard and David A. Diefenthaler, a flight officer with the Army Air Forces
B. FISCHER and CO. 190 Franklin Street NEW YORK
Name: David Diefenthaler
Gender: Male
Birth Date: 21 Jul 1913
Death Date: 26 Dec 1970
The John Street United Methodist Church located at 44 John Street in Manhattan, New York, USA was built in 1841. It is the third church located at the site. It is the home of the oldest Methodist congregation in North America, starting on October 12, 1766. It was designated a New York City Landmark in 1964. Below the sanctuary, the Wesley Chapel Museum displays many artifacts from eighteenth and nineteenth century American Methodist history. These include church record books, the Wesley Clock (a gift of John Wesley, 1769), love feast cups, class meeting circular benches, the original 1785 altar rail, the original 1767 pulpit made by Philip Embury, and Embury's signed Bible. The current pastor is the Rev. Jason P. Radmacher. The organist and choir master is Earl Wentz. Hymnist Fanny Crosby was a member of the church congregation for many years.
Then, on October 26, he wrote to his wife, in Richmond, Virginia, ”A bit of excitement – an NBC reporter phoned me last night…and told me he wanted to broadcast part of my service on this Sunday afternoon…”
While Lefkowitz would write and deliver the sermon, Max Fuchs, a First Division rifleman, was given the honor of serving as cantor. Born in Poland, Fuchs had come to America at the age of twelve. Raised on New York City’s Lower East Side, he attended yeshiva, sang in a number of choirs, and had been enthralled by some of the city’s great cantors. He could never have imagined, when he joined the army in 1942, how this background would impact his military service.
Fuchs often led services because the First Division, known as the Big Red One, did not have a Jewish chaplain. His religious knowledge and melodic voice were noticed by commanding officers and, after Omaha Beach, he was transferred to division headquarters and made an acting chaplain.
So, on October 29, 1944, Corps Chaplain Sidney Lefkowitz, Max Fuchs, NBC war correspondent James Cassidy, and 50 Jewish soldiers gathered not far from the destroyed Aachen synagogue to deliver a message of hope and renewal to the world.
“We hear the sound of artillery guns, because the front line is not far from where we are,” Cassidy warned listeners.
“How sweet upon the mountain are the feet of the messenger of good tidings!” declared Rabbi Lefkowitz. “The light of religious freedom has pierced through the darkness of Nazi persecution.”
Amidst the explosion of artillery shells, Fuchs led the Jewish GIs in the singing of Ein Keloheinu and Yigdal.
In a show of brotherhood the broadcast ended with comments by Catholic Chaplain Father Edward Waters and Protestant Chaplain Bernard Henry.
“One of the great fruits born of this war,” said Father Waters, “is religious freedom for all men.”
Protestant chaplain Bernard Henry closed the service with the hope of Jewish renewal. “I am confident that the Jews everywhere in Europe shall soon again have the opportunity to enter their houses of worship,” said Henry. “That is definitely one of the things we are fighting for and are resolved to preserve.”
The broadcast from Aachen reverberated across the U .S. Those that missed the original Sunday morning transmission were able to listen to one of a number of repeat programs.
Philip S. Bernstein, director of Jewish chaplains of CANRA, the Committee on Army and Navy Religious Activities, wrote to chaplain Lefkowitz, “The Ayn Kaylohaynu will never have the same meaning for me again. I think that I will never be able to sing it without remembering the American boys singing it from Aachen.” He added, “You have made history Sidney. I believe this with all my heart. It seems to me that in this phase of the war our chaplains have become the symbols of liberation.”
Sitting in her Brooklyn home, Naomi Groob also was moved by the broadcast. “What a beautiful voice,” she thought as she listened to Fuchs sing. Shortly after the war, while on a Shabbat walk along the East River, she met Max, the man with the beautiful voice. They married in 1946.
After the war, Fuchs became a cantor, serving at the Bayside Jewish Center for 39 years. He also maintained a second career, cutting and polishing diamonds in New York City’s Diamond district, an activity he still engages in at the age of 85.
Max Fuchs, 89, had come to the day’s event with his wife, Naomi, and their children. A cantor for many decades, he recalled leading services at the Eldridge Street Synagogue in the 1940s, after returning from service in World War II. “I was the last cantor to conduct High Holiday services,” he said.
He gave his family members much credit for their part in keeping the Eldridge Street Synagogue alive even during its declining years. “My in-laws were big machers here,” he said, referring mostly to Morris Groob, a longtime congregant and leader at the synagogue.
The Weissberg's were living at 32 Monroe Street in 1940. Eric was only one. His parents were Will and Cecile.
from Eric's site
Considered by aficionados to be one of the best five-string banjo players ever, Eric Weissberg has been a major force on the folk scene and a ubiquitous prescence on the studio scene for more than four decades.
He attended The Little Red School House in Greenwich Village, where he started playing banjo and guitar at the age of seven and violin at ten. Then to the High School of Music and Art as a string bass major, continuing at the University of Wisconsin and The Juilliard School of Music. He taught himself bluegrass style banjo at the age of eleven by slowing down 78rpm records, and in 1958 he was a founding father of the New York bluegrass trio "The Greenbriar Boys". He joined the folk group "The Tarriers" in 1959, recording and touring worldwide for six years.
As a top New York studio musician Eric has done over six thousand sessions - jingles, movie tracks, and records - playing guitar, pedal steel guitar, mandolin, Dobro, and fiddle as well as banjo for such diverse artists as Bob Dylan, Barbra Streisand, John Denver, Willie Nelson, Johnny Cash, Arlo, The Talking Heads, Bruce Springsteen, Doc Watson, Judy Collins, Bette Midler, Buddy Rich, Shanana, Jim Croce, Rick Danko and many others.
In 1967 he performed the world premiere of Earl Robinson's Concerto for Five-string Banjo, with Arthur Fiedler and the Boston Pops. He had a number one single and album with "Dueling Banjos", the soundtrack from "Deliverance" which earned him two gold records and a "Grammy" award from the National Academy of Recording Arts and Sciences. He is a five-time winner of the New York N.A.R.A.S "Most Valuable Player" award and a Virtuoso award.
Lately Eric has reappeared on the live scene singing and picking music in concert, both solo and as accompanist.
