Calendar Girl, 1960, January: You Start The Year Off Fine

It was the #4 hit in 1960 and one the KV "Schume's" reminds me that Neal was a graduate of his alma mater, Abraham Lincoln High School. Neal was mentioned before in a previous KV link

I love, I love, I love my calendar girl
Yeah, sweet calendar girl
I love, I love, I love my calendar girl
Each and every day of the year
(January) You start the year off fine
(February) You're my little valentine
(March) I'm gonna march you down the aisle
(April) You're the Easter Bunny when you smile
Yeah, yeah, my heart's in a whirl
I love, I love, I love my little calendar girl
Every day (every day), every day (every day) of the year
(Every day of the year)
(May) Maybe if I ask your dad and mom
(June) They'll let me take you to the Junior Prom
(July) Like a firecracker all aglow
(August) When you're on the beach you steal the show
Yeah, yeah, my heart's in a whirl
I love, I love, I love my little calendar girl
Every day (every day), every day (every day) of the year
(Every day of the year)
(September) I light the candles at your Sweet Sixteen
(October) Romeo and Juliet on Halloween
(November) I'll give thanks that you belong to me
(December) You're the present underneath my Christmas tree
Yeah, yeah, my heart's in a whirl
I love, I love, I love my little calendar girl
Every day (every day), every day (every day) of the year
I love, I love, I love my calendar girl
Yeah, sweet calendar girl
I love, I love, I love my calendar girl
Yeah, sweet calendar girl
I love, I love, I love my calendar girl

The video above is a Scopitone:

a type of jukebox featuring a 16 mm film component. It was a forerunner of music video. The Italian Cinebox/Colorama and Color-Sonics were competing, lesser-known technologies of the time
Based on technology developed during World War II, color 16 mm film clips with a magnetic soundtrack were designed to be shown in a specially designed jukebox. The first Scopitones were made in France, among them Serge Gainsbourg's "Le poinçonneur des Lilas" (filmed in 1958 in the Porte des Lilas Métro station),Johnny Hallyday's "Noir c'est noir" (a cover of Los Bravos' "Black Is Black") and the "Hully Gully" showing a dance around the edge of a French swimming pool.
Scopitones spread to West Germany, where the Kessler Sisters burst out of twin steamer trunks to sing "Quando Quando" on the dim screen that surmounted the jukebox. Scopitone went on to appear in bars in England, including a coffee bar in Swanage where Telstar was a favourite. By 1964, approximately 500 machines were installed in the USA, according to Time magazine.
Several well-known acts of the 1960s appear in Scopitone films, ranging from The Exciters ("Tell Him") to Procol Harum ("A Whiter Shade of Pale"). In one Scopitone recording, Dionne Warwick lay on a white shag rug with an offstage fan urging her to sing "Walk on By". Another had Nancy Sinatra and a troupe of go-go girls shimmy to "These Boots Are Made for Walkin'". Inspired by burlesque, blonde bombshell Joi Lansing performed "Web of Love" and "The Silencer", and Julie London sang "Daddy" against a backdrop of strippers.[5] The artifice of such scenes led Susan Sontag to identify Scopitone films as "part of the canon of Camp" in her 1964 essay "Notes on 'Camp'".
By the end of the 1960s, the popularity of the Scopitone had faded. The last film for a Scopitone was made at the end of 1978. However, in 2006 the French singer Mareva Galanter released several videos which mimic the Scopitone style. Galenta's album Ukuyéyé features several songs in the French Yé-yé style. She also recently hosted a weekly French television program called "Do you do you Scopitone" on the Paris Première channel.
As of the mid-2000s, one of the few Scopitones not in a museum or private collection in the United States was located at the Belcourt Theatre in Nashville, Tennessee.