recorded by the great Spike Jones written by two New Yorkers, Sam Coslow (lyrics) and Arthur Johnston
In some secluded rendezvous, That overlooks the avenue, With someone sharing a delightful chat, Of this and that, And cocktails for two. As we enjoy a cigarette, To some exquisite chansonette, Two hands are sure to slyly meet beneath a serviette, With cocktails for two. My head may go reeling, But my heart will be obedient, With intoxicating kisses, For the principal ingredient, Most any afternoon at five, We'll be so glad we're both alive, Then maybe fortune will complete her plan, That all began With cocktails for two
I wouldn’t consider myself a “bad” kid, but when I realized that there was “life outside the box,” I was curious about boundaries of an even “bigger box.” I guess, like most toddlers, I listened to my parents and went along with the program. After all, at the age of about five, I was no match for my father, or my mother, or my grandparents for that matter. But I found a conformist existence to be boring. I think the first time my imagination took a detour was before I was five, and was sitting in my favorite place—under the kitchen table in HG9. Observing my mother going about her chores in the kitchen, it appeared that her back was in close proximity to the refrigerator much of the time. Now, I as best as I can remember, I think I tried to tie her apron strings to the refrigerator door handle, which at the time seemed like a hoot. My first exposure to life outside the hum-drum conformist box, was in 1945, when my father brought home our first phonograph. You couldn’t get anything during the war, and he came across a guy selling (non-electric) phonographs that you wound up with a big handle. The circular head at the end of the arm contained the speaker and the steel phonograph needle, which had to be changed fairly frequently. Spare needles came in a small paper packet. Along with this small phonograph, my father bought a bunch of 78 rpm records. Included was Al Jolson recordings of “Dixie,” “I left My Love in Avalon,” and others. I never cared for Jolson’s voice. But what really got my attention, was a few Spike Jones records, including “The Laughing Record,” which I thought was stupid, and “Laura,” which was really funny, among others. What opened my eyes with Spike Jones, was that it was OK to spoof on convention. Years later, Spike Jones was featured on the “Colgate Comedy Hour” TV show. Maybe I was nine or so at the time. It was the funniest thing I had ever seen, and I remember literally rolling on the floor, clutching my sides, tears rolling out of my eyes and trying to catch my breath from laughing so hard. His best bit was doing a skit that spoofed one of the sponsor’s products, Halo Shampoo. My second life-changing event occurred at the Chatham Sq. Library. I happened to pull out a book, “The Compleat Practical Joker,” by H. Allen Smith. This book really pushed the boundaries of the “bigger box.” I believe that this was the only hard cover book that I borrowed from the Library. The Dr. Seuss books didn’t count, because my mother had borrowed them for me on her library card. My third life-changing event occurred in high school (Stuyvesant), when “Mad” comics (“Superduperman” was the best) hit the scene. Believe me, “Mad’ went downhill when it became a magazine. I remember in one of the issues, there was a reference to a “Thurl Mush.” The writer must have gone to Stuyvesant, because we had a gym teacher named Murl Thrush. Couldn’t have been a coincidence. But back to KV. Somewhere along the line, I had received one of those joke “Peanut Brittle” cans. When you unscrewed the top, three cloth-covered spring “snakes” jumped out. Pretty neat. I thought it would be cool to stick one of those snakes in the green police call box attached to the wall of St. Joseph’s on Monroe St. I remember waiting for the coast to be clear, opening the box and jamming the spring inside and closing the door. The problem was that the spring pressure kept opening up the door and the snake fell out. I remember working on the problem for a while, but I can’t remember if I got the door to stay closed, or I just wrote it off. But I even had more fun with gravity, even without knowing who Isaac Newton was. The “H” building had two staircases. One was square shaped, so you could look over the rail and see all the way down to the basement level. Which was an open invitation to drop stuff down. This was easier than throwing stuff at people (see previous installments) because nobody chased you. I used to take the garbage out to the incinerator from our apartment (one of my chores to justify my room and board). The garbage bag was an open brown paper bag from Gogel’s, so it was easy to pick out promising missiles, and take a detour to the stairway, after dumping the rest of the garbage down the chute. The best objects were burnt-out light blubs. They made a great crashing noise when they hit nine floors down and imploded. Some of the other “bombs” hit one of the railings on the trip down, but that was cool too, as they would create a shower of schmutz. Then I discovered the KV roof. Actually, I was introduced to the roof, by my longtime best friend, Eugene Reiser. Euge (I never called him “Gene,”) showed me the stairs leading from the penthouse floor to the roof, and the door with some kind of warning about no one being allowed on the roof. But hey, we were living outside the box. The view from the roof was spectacular, with vistas at all four points on the compass. But that got kind of old after 10 minutes, so to keep up our interest, we started tossing stuff off the roof. We began with some of the pebbles that were on the roof, and graduated to water-filled milk containers. We never hit anyone (I think we might have tired, though, minimizing any consequences of such actions in our immature minds). We’d also unscrew light bulbs from the stairways and drop those off, too. Then Eugene came up with a “plan.” We’d “get” the guard in the “40” court, by bombing the guard house with light bulbs, and then “bombs away” with the water filled milk containers when he came out. Worked like a charm, even though we didn’t actually hit him. We did get nailed one time, when Eugene was about to show me how one of the fire extinguishers worked. He had lifted the big brass extinguisher from its perch when we were interrupted by a KV guard. Euge managed to get us off the hook by telling the guard that he just wanted to see “how heavy” it was. Close call. A side note on KV guards. Two stand out. One was “Jimmy,” a retired NYC cop who lived with his wife on our floor when we were in HG9. Jimmy, who guarded the “10” court, was one of the nicest guys you’d want to meet. I knew him personally. Some years later, I and a few of my cronies were walking through the basement and found the door to the bicycle room open. We went in, started riding around on the bikes, and one thing led to another, and we ended up throwing the bikes around. Jimmy appeared at the door. I really felt ashamed, like I had let him down. But he cut us a break and didn’t report us. Another good guy was “Brady” in the “40” court. One other stunt that worked rather well was the “poor man’s mustard gas.” Actually, pepper gas. I had picked up somewhere along the way, that if you took a wad of cotton, stretched it out so it was thin, poured cayenne pepper on it, lit it with a match and blew out the flame so it just smoldered, it would create fumes that literally would choke you. Seemed like a good idea, so I tried that in the elevator when we lived in AH8. I got the cotton going, placed it in the elevator and than retired to my apartment. The elevator went down to I believe the 4th floor, where Mary, a friend of my sister got on. She was coming up to visit my sister. When she reached our apartment she almost needed emergency treatment. Her eyes were watering, she could hardly catch her breath, and of course, she didn’t know what happened. ‘Course I proudly told her of my experiment, realizing she was in no condition to retaliate. In the sixth grade, my teacher, Aaron Werner, would confiscate “Spauldeens” that were brought into class. This I thought was a great injustice. So I thought of an idea to make Werner look a little foolish. The guy drove a Henry J, and that, in my mind made him look foolish enough. Anyhow, I had a collection of dead balls that I received from one of my father’s friends, Herman Bogdish. Herman lived on the first floor in an apartment that overlooked the incinerator chimney in the playground. The kids would bounce balls off the corner of the chimney where it hipped down, and some of the balls would get caught in the window guard of Herman’s apartment. Now getting 6 or 7 balls out of my apartment when I went to school wasn’t as easy as you’d think. My mother would check my pockets before I left to make sure I was “clean” (no water guns, balls, or other potential class-disrupting items). One of my jackets had a torn pocket liner, so I was able to stuff balls through the opening and they would collect around the back of the jacket between the outside and inside linings. It got past my mother. In class, I emptied the balls inside my desk. After a while, I’d toss a ball in the air, not too high, but enough for Werner to notice. He took it away. A few minutes later, ball No. 2 appeared, and the scenario would repeat itself. After ball No. 3, the rest of the class began to take notice, and Werner started to become irritated. By ball No. 6, no one was paying any attention to Werner, all eyes being fixed on the ever-appearing balls and the increasing frustration of Werner. Now, as any older brother will tell you, younger sisters were created with the sole purpose of being the object of any evil that came to mind. The most notable incident along this line is when Eugene and I thought it would be fun to see if we could flush my sister Susan down the toilet. She was kind of feisty, so it took some doing to get a handle on her and get her in close proximity to the flushing toilet. We didn’t actually get to stick her head into the bowl (we got it close), but her histrionics were satisfying enough, that we did not need to proceed any further.
I wrote to Cliff and asked him how he diverted Werner's attention so that he didn't notice that Cliff was the one doing the tossing
He answered:
The point was to have him notice so he'd confiscate them. The idea was to have him keep taking them away--the class would get a kick out of it and he'd look foolish in front of the class.
Knickerbocker Village at the 2010 Conference on New York State History, June 4
click on picture above for conference schedule
All copyrights acknowledged. For research and educational purposes only.
June 1974
PS 177: June, 1959, Nancy with Mrs. Jonas
About Knickerbocker Village
I found that a recurring topic on my blog, Pseudo Intellectualism, would be my memories of the wonderful place I grew up in on the Lower East Side, Knickerbocker Village. I lived there from 1952-1964. There has also been an avalanche of new information coming in from my old friends through our group emails. All of this has refreshed our collective minds and I decided to shift my old posts (from the last two years) to this dedicated site as well as add new recollections. Hopefully other lost KVer's can arrive here and feel free to share as well. Note 1: Many posts are an outgrowth of history projects I did with kids while teaching on the LES. Note 2: As this blog has evolved it has also become a view of life in NYC during the 50's and 60's. You can contact me at davidbellel.mac.com.
Stewie Brokowsky R.I.P., photo by Murray Schefflin
Help In Understanding Various Blog Posts, The KV Mind Map: Click On Image Below
1847 LES Ward Map Section: A Geographic Tool For Locating Blog Posts
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Deep Thoughts
#1. Annie Dillard talks about her fascination with science and minerals in particular. Then she goes on to details anecdotes concerning various Americans who became obsessed with the possibility of discovering valuable or interesting mineral deposits or rock formations within or close to their home environments. She speaks about men - almost all these scientific minded people are male - who discover veins of coal, copper, bauxite, and so on. She depicts the ordinariness of their fascination and the fact that it tapped into the extraordinary. Like nature had these incredible finds waiting to be unearthed all around. People who could see the worth of what was all around them or, in some cases, beneath them, excavated and found, just beneath the surface of their obsessive preoccupations, depths of riches and fascination. So in exploring the history of KV we go back into what had been the ordinary and find it layered in a criss-cross of historical significance. A transmutation of the lung block, redeemed as a bold social experiment tinged with ambitions as immodest as a revolution and as commonplace as sandwiches - ordinary though it may be but still - the most delicious sandwiches of the twentieth century. Buried beneath the surface of the KV heritage are connections to so may aspects of our culture and NYC's greatness as to be not only unfathomable but irrefutable. Do you know what I'm saying here?
Son Of Salvatore
FAQ's: Click On Image
KV Honorary Members (And Their Corresponding Sponsors)
Tim Russert-Mark
George Carlin-Allan
Paul Newman-David
Pete Seeger-Bob
John F. Kennedy Jr.-Joe
To be is to do - Plato To do is to be - Socrates Do be do be do - Frank Sinatra
Yes. I was thrown out of the Canal theater a number of Saturdays for rolling on the floor, in the aisles laughing. I think one of the movies that prompted my gaiety was "Psycho" - the shower scene. What can I tell you? I guess I wasn't tuned into the mood. At the time. Also saw many rock and roll movies at the Canal, Elvis films and the Murray the K fests. Saturday I often would go there with Joey Maldonado and his cousins. We would load up on candy by the quarter pound from that obscure bakery that was just around the corner on Madison Street, quarter block from Catherine - around the corner from the Brokowsky's fruit store, Gogol's and the pharmacy on the corner. Next to the newstand. Remember? By the bus stop. See what I'm saying? (In your mind, can you see it?) Bakery had golden and tan tile design but couldn't hold a candle to Savoia. No marble floors either.
guest memorist Howie: the first movie I ever went to was at the Tribune Theatre (near City Hall, now by the site of Pace University), a Disney cartoon 'Lady and the Tramp', also remember going there with Ronnie, David and maybe Paul, think it was '62 to see 'Safe at Home' starring Mickey Mantle and Roger Maris....I saw 'The Time Machine" with David at the Canal theatre in 1960 (academy award to George Pal - special effects), we were so taken by the notion of time travel that we proceeded to go home and build a time machine...somehow we got hold of some wood, nails, rope and wheels..after a couple of days the time machine started to take shape although it looked remarkably like a pretty decent scooter so we decided it needed a safe haven and hid it in a pit on Monroe St...one that we were able to climb...on the third day the time machine was stolen from the pit...we never saw it again...probably in the year 3000 by now..
guest memorist Neal Hellman on BLT's (the non Ref Luncheonette variety) A great B.L.T. is a complex eatable symphony. One in which all the parts maintain their individuality, yet at the same time, surrender their tasty nuances in the true spirit of gastronomic gestalt and dwell as one.This equinox I choose Sumano's Bakery Ciabatta bread. Though I was skeptical about it's naked, pale texture, I felt it would toast up well and its many crevices would add some fun places for the mayo to go.With the mayonnaise choice I have to stay with tradition and of course go with Hellmann's though for some reason it's known west of the Mississippi as “best foods”. Please do not waste my time with this hippie safflower oil concoction or some other type of healthy alternative. For when it comes to mayonnaise for my Ultimate B.L.T. there is no east or west, there is only Hellmann's…. case closed. My ingredients are now all together, but the intense work has just begun. For now without the correct timing and the correct application of all the ingredients, my ritual could easily plummet into a spiritual abyss. All ingredients must sit together (as one) at room temperature as I invoke the spirit of all the great B.L.T. makers in all the luncheonettes in the greater metropolitan area of New York. I heat my cast iron skillet (using a Teflon pan would be heresy) to a comfortable medium heat. I lay the bacon down 4 strips per sandwich and as I do the strips greet the metal with a friendly sizzle “hello”. As they are slowly cooking I cut the tomato's, neither too thin or too thick and lay them down ever so gently on a plate to await their glorious marriage. The lettuce has been carefully washed and spun with all traces of ribs removed. The mayonnaise jar is open and waiting to join this eatable canvass. Once the bacon is turned the toast swings into action. It has to be brown all the way but with no traces of crusty darkness.As the toast is finishing I remove the bacon and pat it down with a paper towel. Now it's time to assemble my edible equinox creation. Mayo on both pieces of toast, then the tomato's and I prefer the lettuce between the tomato and the bacon, for I feel it's texturally more secure that way. I don't want an immediate confluence of tomato and bacon; I like the lettuce to work as a buffer. Here's where many folks really go askew: they push the bread down so hard that the bacon is crushed. No, no a thousand times no. One must gently, ever so gently caress the concoction together. After which one will take a sharp knife and make a diagonal cut. A straight cut is what people from small towns in Nebraska and Ohio do. Those of use who are members of the B.L.T. illuminati always make a diagonal cut. The masterpiece will then be placed on a plate and then consumed in a way as to enjoy the warm and crunchy (yet still pliable) bacon, the exploding sensation of a dry farm Molino tomato, the juicy lettuce, the condiment-ing mayonnaise and ever so supportive bread. My first Ultimate B.L.T. goes to my neighbor for her birthday. With that offering I realize now that I am truly invoking the Japanese Equinox celebration of Hign-e. Yes with my ultimate B.L.T. offering I am illustrating the six perfections: perseverance, effort, meditation, wisdom, observance of precepts, and giving.
KV Journeyman
11/13/07: Even standing in the cold rain, the Baroque facades on these buildings are fantastic. Brussels has some of the best architecture in the world, all types, all styles. Standing in the middle of the main town square one is overwhelmed with the magnitude of detail and size.
11/14/07: I am currently in Brugge in NW Belgium. It appears to be a quiet town with all old and small buildings, perhaps pre-Victorian, with a network of canals similar, but without the gondolas and singing rip-off-the-tourist gondoleers. I'll learn more tomorrow as we get a tour prior to dinner.
12/5/07: Just finished a fresh grilled tilapia sandwich while sitting outside looking at the expansive white sands of Clearwater Beach and the far reaches of the Gulf of Mexico, realizing I am flying back to DC tomorrow morning into the remnants of the latest Alberta Clipper to wreak havoc on the Nation's Capitol. Enough to upset the strongest and staunchest among us.
Time Magazine: 10/15/1934
Smack in the middle of the slum-mulligan of Manhattan's lower East Side two barefaced, rectangular apartments rear their bricks twelve stories into the air. Jointly christened Knickerbocker Village, they cover four whole city blocks. Between the two units is a concrete playground, and within each will be a garden. Each of the 1,593 apartments has wooden parquet floors, electric refrigeration, tiled bathrooms, outside windows. The elevators are self-operating. Rentals range from $22.50 for 2½ rooms on the ground floor to $87.50 for a 5½-room penthouse. Average is $12.50 a room. Knickerbocker Village will cost about $9,000,000, and with the exception of Rockefeller Center is the only large structure which Manhattanites have noticed abuilding these last two years. Last week it was ready for occupancy.
Because Knickerbocker Village is also Manhattan's first experiment in government-financed, low-cost housing, RFC's Chairman Jesse H. Jones, East-Sider Alfred E. Smith, many a minor wig gathered in its banner-decked playground to mark the day. Said Al Smith: "I was tempted to swap the Empire State Building." Chairman Jones thumped the tub of slum clearance. Informed that the first of the two units was already 95% rented, while the second unit (to be opened Dec. 1) was 50% rented, he waved an expansive hand at the holiday bunting, declared: "I know of no ... safer investment for public funds than to clear about 500 acres of your slums."*
Whether or not Knickerbocker Village was a fitting inspiration for such official rejoicing was last week a red hot sociological question.
In 1929 Realtor Fred Fillmore French began buying land on the lower East Side. By swearing his 42 brokers to secrecy and using dummy corporations, he managed to get some 15 acres for $5,000,000. Then in 1931 he announced a grandiose scheme for the erection of a $50,000,000 development for junior Wall Street executives. At this point he found that he could not get credit. At the same time Fred F. French Operators, Inc. began passing its dividends on $14,000,000 of preferred stock. The project remained only a scheme with a staggering upkeep in land taxes.
When Congress authorized the RFC to make loans on slum clearance projects, Realtor French picked out the worst block in his holdings and ecstatically presented it to Mr. Jones as a worthy subject for clearance. His choice was "Lung Block," so called because of its high tuberculosis mortality rate. On it lived 650 families. In its backyards were seven jakes. On this fester Mr. French proposed to build a low-cost housing project. Mr. Jones agreed to do business, and RFC lent 85% of the required $9,000.000.
Average cost of "Lung Block" to Knickerbocker Village was high: $3,116,000, or $14 per square foot. The tax assessment was therefore reduced by two-thirds to bring the monthly room rental down to the $12.50 stipulated by the RFC. Because the average rental on "Lung Block" had been about $5 a room, Knickerbocker Village remained a low-cost housing project only in the minds of the white collar workers, who proceeded to fill it.