Tuesday, July 13, 2010

Jazz On A Summer's Day: 1958

from Alan Kurtz
Looking like a grande dame in Vogue, singing like a dame outa Down Beat, Anita O'Day walked away with Jazz on a Summer's Day (1960). The documentary of 1958's Newport Jazz Festival should have been called Jazz on a Summer's O'Day."I was scheduled for 5 o'clock in the afternoon," Miss O'Day recounts in her autobiography, "and I asked myself what to wear. 'It's teatime,' I told the Italian lady who ran a dress shop in Greenwich Village. She brought out this black dress, trimmed with white. We both knew it was right, but I asked what I could wear on my head. She went into the back room and came out with a black cartwheel, trimmed with white feathers. Both went with my see-through, plastic pumps and for a fun touch I added short white gloves."After flicking mud from an earlier rain off her shoe, a tightly hemmed Anita wriggled on stage and squinted at the crowd. "Performing in the afternoon was a bonus," she recalled, "because I could see the audience. I spotted Chris Connor out there." Like O'Day, Connor had served a stretch as Stan Kenton's vocalist. "That was good," Anita thought, "because I can make my performance the way I want it to be when I know some of the audience digs what I'm doing and I can relate to them." She related with what amounts to a clinic on jazz singing, in particular wowing the crowd with her up-tempo take on the 1925 chestnut "Tea for Two." Blazing through the lyrics, Anita treats both melody and rhythm to a complete makeover, exercising the unbridled flair of an interior decorator given carte blanche by a client with deep pockets. Following a short piano solo, Anita switches to scat, trading fours with Poole's wire-brushed drums. To conclude, Anita amuses the audience by exchanging wordless quotes with her trio from "Flip Top," a favorite '50s TV jingle. "You get a lot to like with a Marlboro," the original assured. "Filter, flavor, flip-top box." In those halcyon days, cigarette jingles were considered harmless fun. Fifty years later, coffin-nail jingles are thankfully a thing of the past. Anita O'Day, though, is as much fun as ever.

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