Breaking Up Is Hard To Do: Neil Sedaka

You tell me that you’re leaving
I can't believe its true
Girl there’s just no living
Without you
Don't take your love away from me
Don't you leave my heart in misery
If you go then I'll be blue
'Cause breaking up his hard to do
Remember when you held me tight
And you kissed me all through the night
Think of all that we've been through
Breaking Up Is Hard To Do
They say that breaking up is hard to do
Now I know, I know that it's true
Don't say that this is the end
Instead of breaking up I wish that we were making up again
We were making up again
I beg of you
Don't say goodbye
Can't we give our love just one more try
Come on baby, let's start a new
'Cause breaking up is hard to do

"Breaking Up Is Hard to Do" is a song recorded by Neil Sedaka and described by Allmusic as "two minutes and sixteen seconds of pure pop magic".It hit number one on the Billboard Hot 100 on August 11, 1962 and was a good hit all over the world, sometimes with the text translated into foreign languages. For example, the Italian version was called "Tu non lo sai" (" You don't know ") and was recorded by Sedaka himself.
Originally an uptempo song, Sedaka re-recorded it as a ballad in 1975 and the new version peaked at number eight in February 1976 and went to number one on the Adult Contemporary chart; it was only the second time that an artist made the Billboard Top Ten with two different versions of the same song.
Sedaka was born in Brooklyn, New York on 13 March 1939. His father, Mac Sedaka, a taxi driver, was the son of Turkish-Jewish immigrants; his mother, Eleanor (Appel) Sedaka, was of Polish-Russian Jewish descent.
He demonstrated musical aptitude in his second-grade choral class, and when his teacher sent a note home suggesting he take piano lessons, his mother took a part-time job in an Abraham & Straus department store for six months to pay for a second-hand upright. He took to the instrument immediately. In 1947, he auditioned successfully for a piano scholarship to the Juilliard School of Music's Preparatory Division for Children, which he attended on Saturdays. He also maintained an interest in popular music, and when he was 13, a neighbor heard him playing and introduced him to her 16-year-old son, Howard Greenfield, an aspiring poet and lyricist. The two began writing together.
The best-known Billboard Hot 100 hits of his early career are "The Diary" (#14, 1958), a song that he offered to Little Anthony and the Imperials; "Oh! Carol" (#9, 1959); "You Mean Everything to Me" (#17, 1960); "Calendar Girl" (#4, 1960); "Stairway to Heaven" (#9, 1960); "Little Devil" (#11, 1961); "Happy Birthday Sweet Sixteen" (#6, 1961); "Breaking Up Is Hard to Do" (#1, 1962); and "Next Door To An Angel" (#5, 1962). "Oh! Carol" refers to Sedaka's Brill Building compatriot and former girlfriend Carole King. King responded with her answer song, "Oh, Neil", which used Sedaka's full name. A Scopitone exists for "Calendar Girl". Sedaka wrote another hit, Happy Birthday Sweet Sixteen, for his then close friend Annette Funicello.[citation needed]
In 1961 Sedaka began to record some of his hits in Italian. At first he published Esagerata and Un giorno inutile, local versions of Little devil and I must be dreaming.
A similar sharing came earlier with Sedaka and singer Connie Francis. As Francis explains at her concerts, she began searching for a new hit after her 1958 single Who's Sorry Now?. She was introduced to Sedaka and Howard Greenfield, who played every ballad they had written for her. Francis began writing her diary while the two played the last of their songs. After they finished, Francis told them they wrote beautiful ballads but too intellectual for the young generation . Greenfield suggested to Sedaka a song they had written that morning for another girl group. Sedaka protested, believing Francis would be insulted, but agreed to play "Stupid Cupid". Francis told them they had just played her new hit. Francis' song reached #14 on the Billboard charts.
While Francis was writing her diary, Sedaka asked her if he could read what she had written. After she refused, Sedaka was inspired to write "The Diary", his first hit single. Sedaka and Greenfield wrote many of Connie Francis' hits such as "Fallin" and "Where the Boys Are".